At the end of the day, for any arts organizations, this is what it is all about. If more people are attending year after year then marketers have done their job in gaining more support for the arts. Marketing in the arts is a process through which positive results are ultimately determined when a person makes a decision to value the arts.
This blog is a course requirement for my Arts Management diploman. I plan to look critically at the marketing of arts and culture in addition to promoting new and interesting artists.
Sunday, November 21, 2010
The Best Result is Value!
At the end of the day, for any arts organizations, this is what it is all about. If more people are attending year after year then marketers have done their job in gaining more support for the arts. Marketing in the arts is a process through which positive results are ultimately determined when a person makes a decision to value the arts.
Friday, November 19, 2010
Be Consistent, Be-Be Consistent!
As marketers or branding experts we need to be very conscious of how we are portraying ourselves in arts organizations. It's very easy to do many things at once and lose sight of what your brand is- consistency, once you have decided who you are is an absolute. This applies to all facets of any art organization from the person at the front desk, to the washrooms and down to the font that you're using.
Today, I want to focus on consistency in external advertising. A lot of organizations get mixed up in making things look different with different feels for the various events they put on. This is not particularly helpful. The message and feel can be different without looking foreign. You want someone to look at a poster or an ad and immediately associate it with your organization- if the look you go after is always changing then it is difficult for people to build a mental script with your organization. If people can easily identify you and understand who you are the eaiser it will be to convey your advertisement. This in no way means you have to be mundane it just means you have to be careful and conscious that your poster represents you first!
Soulpepper Theater Company has a very consistent and recognizable external advertisements that really fits their brand as a newer classical theatre company. Their website and posters for this season all have a very similar Soulpepper flavour, quirky yet still sophisticated. It is very different from other classical theatre ad's such as the Stratford Festival or the Shaw Festival but it speaks to its band and mandate. But most importantly it is consistent- it looks like a story board comprised or many different plays with many different meanings but all with the Soulpepper stamp on them!
Take a look here and enjoy!
http://www.soulpepper.ca/performances/10_season.aspx
Today, I want to focus on consistency in external advertising. A lot of organizations get mixed up in making things look different with different feels for the various events they put on. This is not particularly helpful. The message and feel can be different without looking foreign. You want someone to look at a poster or an ad and immediately associate it with your organization- if the look you go after is always changing then it is difficult for people to build a mental script with your organization. If people can easily identify you and understand who you are the eaiser it will be to convey your advertisement. This in no way means you have to be mundane it just means you have to be careful and conscious that your poster represents you first!
Soulpepper Theater Company has a very consistent and recognizable external advertisements that really fits their brand as a newer classical theatre company. Their website and posters for this season all have a very similar Soulpepper flavour, quirky yet still sophisticated. It is very different from other classical theatre ad's such as the Stratford Festival or the Shaw Festival but it speaks to its band and mandate. But most importantly it is consistent- it looks like a story board comprised or many different plays with many different meanings but all with the Soulpepper stamp on them!
Take a look here and enjoy!
http://www.soulpepper.ca/performances/10_season.aspx
What is TV doing for the Arts?
I recently read an article in the Globe and Mail by John Doyle about the TV and the Arts and I cannot stop thinking about it.
http://www.theglobeandmail.com/news/arts/television/john-doyle/whither-the-arts-on-tv-nowhere/article1792244/
It's true, TV has done a lot for "low art," if we're talking in binaries. Shows like So You Think You Can Dance, MuchMusic, MTV and other TV drama series have all given us a healthy dose of low art. But what about high art? I didn't occur to me until I read this article how little is available on TV because I always associate the high arts outside of the box, not in it.
In the television world it's simple- if you have high ratings the show stays on the air and people by commercial air time, if not you're off. Knowing that the arts capture roughly 20% of the populace- and that includes the polar populations- how can TV help to boost this number in a do or die industry. Like I keep saying, the key to appreciating any art form is understanding and exposure and with television you have huge chance to do just that. Networks have been slashing arts television shows or creating niche channels for those who are interested to watch. Shows like Opening Night and other arts focused just don’t exist anymore. So what can we as an arts community do?
Well, it's going to have to start with top management at a television network who believes in the arts. More importantly the art community needs to rally together and demand quality arts programming be reinstated. There is a desperate need for the arts, especially in rural communities where actually going to an arts event is difficult. We know that the arts have a positive impact on socialization and learning and it needs to be spread throughout areas that have historically been under-arts-privileged. TV is one common denominator that most Canadians have. Though not everyone will watch the high arts medium it would be accessible to a far wider range of people!
http://www.theglobeandmail.com/news/arts/television/john-doyle/whither-the-arts-on-tv-nowhere/article1792244/
It's true, TV has done a lot for "low art," if we're talking in binaries. Shows like So You Think You Can Dance, MuchMusic, MTV and other TV drama series have all given us a healthy dose of low art. But what about high art? I didn't occur to me until I read this article how little is available on TV because I always associate the high arts outside of the box, not in it.
In the television world it's simple- if you have high ratings the show stays on the air and people by commercial air time, if not you're off. Knowing that the arts capture roughly 20% of the populace- and that includes the polar populations- how can TV help to boost this number in a do or die industry. Like I keep saying, the key to appreciating any art form is understanding and exposure and with television you have huge chance to do just that. Networks have been slashing arts television shows or creating niche channels for those who are interested to watch. Shows like Opening Night and other arts focused just don’t exist anymore. So what can we as an arts community do?
Well, it's going to have to start with top management at a television network who believes in the arts. More importantly the art community needs to rally together and demand quality arts programming be reinstated. There is a desperate need for the arts, especially in rural communities where actually going to an arts event is difficult. We know that the arts have a positive impact on socialization and learning and it needs to be spread throughout areas that have historically been under-arts-privileged. TV is one common denominator that most Canadians have. Though not everyone will watch the high arts medium it would be accessible to a far wider range of people!
Monday, November 8, 2010
Maslow and the Arts
Above you see Maslow’s psychological structure for happy and healthy human beings, starting with physiological needs all the way up to the process of self actualization.
For Arts organizations to be effective they have to meet the first four needs- physiological, safety and security, love and belongingness and esteem before they can start to effectively experience the art at a truly appreciative and deep level. Taking a general glance at society today I am struck by the lack of people that in a modern and "civilized" society are able to move to self actualization. Arts organizations can offer the total package of the first four basic needs but in truth if people are not meeting the first four basic needs in their personal lives why would they venture out to join in the artistic world? There are so many people in London struggling to live- basics such as food and shelter are difficult to come by. And if that wasn't a hang up levels of psychological issues are higher than ever. Depression is at an all time high and stress is one of the leading cause of heart failure and a host of other anxiety disorders. How can these people be reached by the arts community if they are barely coping with their everyday life.
How as Arts Marketers are we able to break through to people and offer them an experience that they might not be able to cope with. To be blunt- I don't know. This is a major struggle for the arts community. If only twenty percent of the population is attending arts events then how small is the number that is actually having a self-actualizing experience. The numbers are probably slim. The more I thought about this the more upset I became.
But then I remember the words of Benjamin Zander as he said that the arts are for everyone- not just the mentally sound, rich and fully adjusted people. Art can be therapeutic, I believe that. There is something very cathartic about watching a play or listening to music or even seeing a piece of art. The goal is that that people will gain meaning from it but does that mean that others can't enjoy the show? Imagine a young child coming to a play for the first time and getting lost in the story and captivated by the performance. That child might not have been "self actualizing" but they were participating in a world that perhaps helped them to escape. The value of the arts can be as simple as escapism or as meaningful as a life change but it is all important.
In the Shadows of the Greats
Generally the Arts are thought of as a progressive, liberal arena where innovative ideas are generated and fostered. But why are their marketing and promotion campaigns so archaic? Perhaps progressive marketing plans and promotions are revolutionary in some cases but from what I have been seeing the small to midsized organizations in smaller urban centers have been failing greatly in regards to change and being innovative.
People always say that whatever is "cool" in Europe becomes in vogue in North America on a two to five year delay. Smaller Urban centers such as London in relation to Montreal, Toronto or Vancouver share this same time lapse relationship. Many of the local organizations seem to be reacting to change much later than many of the major organizations in larger urban centers. Out two of the three larger arts organizations in London only one seems to be "keeping up with the Jones'".
For a progressive and liberal sector of our cultural landscape why have so many local arts institutions missed the mark, especially with online marketing?
The art that these organizations are producing is interesting and progressive but their methods of attracting people and getting their attention is entirely irrelevant. I found smaller to mid sized organizations are particularly lagging in their websites and effective use of social media. The websites do not give much detail beside a brochure tour of their organization. They tell people what they want to know, not necessarily what the people want to know. Arts Consumers today are beginning to dictate what they want to see and what they will attend. This is not to take anything away from artistic integrity, but rather to work with people rather than against them. Some organizations are so hooked on their artistic vision that their ability to share their work becomes completely inaccessible. Patrons of the arts need to be involved in the conversation and it needs to start with an effective use of engagement. Most organizations have a website because it's the thing to do. They pay little attention to how people actually use them. Websites need to be a resource to the people it serves firstly and then as a way to gather information from patrons by the organization. With the invention of social media tools such as Facebook and Twitter organizations are now able to engage in meaningful conversations with patrons and get tangible results, good or bad. But again organizations need to be listening to their consumers.
It is wonderful to do all of these things but there needs to be some kind of method behind the madness. The question is not, are you using social media- because nearly everyone is. The question is how are you using social media in a way that firstly benefits your patrons and gets them excited about your organization and secondly how is it benefiting your organization. Perhaps social media is not a right fit for your organization at all but these are things that need to be thought out carefully and tested early on.
Money will always be an issue but there are always ways to be strategic and not just reactive in smaller organizations too. The smaller to mid sized organizations often get swept up later in the rush to just do the "next best thing" instead of actually taking time to consider how it will benefit, if it will at all, their organizations. It is difficult to not live in the shadows of the bigger organizations but if they want to do things effectively they cannot merely react. They must have some calculated reasons for the things they are doing.
People always say that whatever is "cool" in Europe becomes in vogue in North America on a two to five year delay. Smaller Urban centers such as London in relation to Montreal, Toronto or Vancouver share this same time lapse relationship. Many of the local organizations seem to be reacting to change much later than many of the major organizations in larger urban centers. Out two of the three larger arts organizations in London only one seems to be "keeping up with the Jones'".
For a progressive and liberal sector of our cultural landscape why have so many local arts institutions missed the mark, especially with online marketing?
The art that these organizations are producing is interesting and progressive but their methods of attracting people and getting their attention is entirely irrelevant. I found smaller to mid sized organizations are particularly lagging in their websites and effective use of social media. The websites do not give much detail beside a brochure tour of their organization. They tell people what they want to know, not necessarily what the people want to know. Arts Consumers today are beginning to dictate what they want to see and what they will attend. This is not to take anything away from artistic integrity, but rather to work with people rather than against them. Some organizations are so hooked on their artistic vision that their ability to share their work becomes completely inaccessible. Patrons of the arts need to be involved in the conversation and it needs to start with an effective use of engagement. Most organizations have a website because it's the thing to do. They pay little attention to how people actually use them. Websites need to be a resource to the people it serves firstly and then as a way to gather information from patrons by the organization. With the invention of social media tools such as Facebook and Twitter organizations are now able to engage in meaningful conversations with patrons and get tangible results, good or bad. But again organizations need to be listening to their consumers.
It is wonderful to do all of these things but there needs to be some kind of method behind the madness. The question is not, are you using social media- because nearly everyone is. The question is how are you using social media in a way that firstly benefits your patrons and gets them excited about your organization and secondly how is it benefiting your organization. Perhaps social media is not a right fit for your organization at all but these are things that need to be thought out carefully and tested early on.
Money will always be an issue but there are always ways to be strategic and not just reactive in smaller organizations too. The smaller to mid sized organizations often get swept up later in the rush to just do the "next best thing" instead of actually taking time to consider how it will benefit, if it will at all, their organizations. It is difficult to not live in the shadows of the bigger organizations but if they want to do things effectively they cannot merely react. They must have some calculated reasons for the things they are doing.
Thursday, October 14, 2010
Understanding Your Audience
I pay a lot of attention to Ads. One place that I am consistently impressed with advertisement is the television show Madmen. The ads between the episodes are almost as entertaining and engaging as the show itself. They have run a series of "meta-advertisements"- ads about making ads, while at the same time selling a product.
As you can watch by clicking the link below:
http://www.youtube.com/watch?v=3Qd6TUHBLlw
Perhaps a lot of people would think this a bad idea. No one wants to know how they're being sold something that goes against the grain of marketing itself. But these ads are more clever than just showing people how a company plans to market to their audience.
In this particular ad they've chosen Vaseline. While I do not know all of their stats I imagine that most of the people watching this television show are educated, have some interest in the arts, are middle to upper class, with a fairly even split of male to female viewers. For this ad I believe females are the main audience trying to be reached. That being said this type of ad would engage the viewer firstly by being entertaining and then by making them think of the product they're buying. By having the ad set in the 60's and showing it's legacy to the present day give a sense of stability and quality. Also the ad reflects the show- so if you're watching the show you're bound to like the ad or at the very least pay attention to it. Most importantly I think the people watching do not want to be sold a "mom washing the floor with Mr. Clean type ad." Their viewers are too smart to be sold that lie. Instead the ad exposes itself and its motives and simply presents you with the product. In addition to the fact that the ad is clever and witty doesn't hurt.
This is effective marketing mostly due to the fact that they understand their audience. They market a mini replica of their show in the ad's the use- AMAZING. I watch the show religiously and am always highly interested and engaged with the ad's.
Understanding your audience is essential. I think this is something that quite a few Arts organizations do well. But they need to capitalize more on their findings to create the most effective ad's for the organization!
For more similar ads watch...
http://www.youtube.com/watch?v=QH_EUgaWLGQ&feature=related
http://www.youtube.com/watch?v=dx4mUyleg98&feature=related
OR Search Madmen Ad's on Youtube!
As you can watch by clicking the link below:
http://www.youtube.com/watch?v=3Qd6TUHBLlw
Perhaps a lot of people would think this a bad idea. No one wants to know how they're being sold something that goes against the grain of marketing itself. But these ads are more clever than just showing people how a company plans to market to their audience.
In this particular ad they've chosen Vaseline. While I do not know all of their stats I imagine that most of the people watching this television show are educated, have some interest in the arts, are middle to upper class, with a fairly even split of male to female viewers. For this ad I believe females are the main audience trying to be reached. That being said this type of ad would engage the viewer firstly by being entertaining and then by making them think of the product they're buying. By having the ad set in the 60's and showing it's legacy to the present day give a sense of stability and quality. Also the ad reflects the show- so if you're watching the show you're bound to like the ad or at the very least pay attention to it. Most importantly I think the people watching do not want to be sold a "mom washing the floor with Mr. Clean type ad." Their viewers are too smart to be sold that lie. Instead the ad exposes itself and its motives and simply presents you with the product. In addition to the fact that the ad is clever and witty doesn't hurt.
This is effective marketing mostly due to the fact that they understand their audience. They market a mini replica of their show in the ad's the use- AMAZING. I watch the show religiously and am always highly interested and engaged with the ad's.
Understanding your audience is essential. I think this is something that quite a few Arts organizations do well. But they need to capitalize more on their findings to create the most effective ad's for the organization!
For more similar ads watch...
http://www.youtube.com/watch?v=QH_EUgaWLGQ&feature=related
http://www.youtube.com/watch?v=dx4mUyleg98&feature=related
OR Search Madmen Ad's on Youtube!
Education is the best Marketing
The more I consider the field of Arts Marketing the more I see the flaws in it. I feel our first major failure starts in the Education system. I realize that a lot of schools do not provide large budgets for the Arts and this is a major problem (especially considering all the social and educational benefits they have been proven to provide). How can we expect children to be excited and engaged with the arts if they are never made a priority in their lives? The sheer lack of time given the Arts each week in the classroom sends a message to parents and children alike that the Arts should not take up a lot of time and that they are not valuable. If children were instilled with a healthy education of the Arts (which for me is what shapes our culture) imagine the difference in the field. Children wanting to go and see a production or to the museum and in turn taking their parents or grandparents with them generates a generational interest in the Arts.
This is somewhat idealistic and I realize that but I cannot help thinking that the job of Arts marketers begins with education. Why would someone want to come and see something they knew nothing about or thought was above them? Teaching people from an early age to love the Arts begins a lifelong relationship with the Arts but also the institutions that support them. Imagine being so swamped with customers you had to manage the overflow and not beg for people to come in. This would lower costs and make the Arts an increasingly affordable way to spend one's time. People want to do something engaging that they feel connected to- at least I do. For that reason I feel a lot of the current disinterest in the arts (about 80% of the population) comes from a lack of connection and education. No system is perfect and obviously not all students will be interested in the Arts but the potential percentage of people that would enjoy the arts and does not even know what is out there to be experienced yet is overwhelming.
It is a cycle: if we market the Arts to students through education early on in life imagine how much more meaningful the ads that markets use will mean. The range of audience you would be marketing to would grow exponentially.
That being said: This Christmas Season Gerry Fagan along with Dr. Kevin Rutledge will be hosting a performance of Handel's Messiah. Two weeks prior to the performance there will be a chance to come and understand the music and theology of the music. This is a great way to get people interested and engaged- education. More details coming soon!
Here is an opportunity to see some great local and international talent in addition to learning and understanding a classical piece of music!
It is a cycle: if we market the Arts to students through education early on in life imagine how much more meaningful the ads that markets use will mean. The range of audience you would be marketing to would grow exponentially.
That being said: This Christmas Season Gerry Fagan along with Dr. Kevin Rutledge will be hosting a performance of Handel's Messiah. Two weeks prior to the performance there will be a chance to come and understand the music and theology of the music. This is a great way to get people interested and engaged- education. More details coming soon!
Here is an opportunity to see some great local and international talent in addition to learning and understanding a classical piece of music!
Wednesday, September 29, 2010
Michael Kaiser... and the Simpsons?
I watched the season premiere of the Simpsons this past Sunday night. I like the Simpsons and think that for all of their alleged vulgarity they present witty messages that hit the core of many social issues that North America deals with. This particular episode dealt with the local clown celebrity initially winning the noble peace prize as a lure Europe so they could charge him for his many crimes committed against them. Lisa the daughter of the Simpson family got a chance to go to a performing arts camp where she got to explore her artistic abilities. When she returns home she realizes that there is no support or proper funding for her as a blooming artist in her school or city. I read this episode as a comment on the current Artistic plight in America today. Mass entertainment being easily accessible but not necessarily always giving back to society, versus the small refined arts sector that wants to give back to society in a positive way but cannot find the means not audience to do so. For me the issue not addressed was... Why are the arts not recognized and consumed more? Which leads me to Michael Kaiser. In a world of dying arts organization he is able to turn them around and give them a strong appeal. The Simpsons raised the awareness of the dying arts but could do nothing about it.
For this reason...
I cannot stop thinking about Michael Kaiser! After watching a video clip of Michael Kaiser speak about effective institutional marketing (creating buzz about your institution), the somewhat sad plight of the future of arts became a tad sunnier. Kaiser's main point was to be risk takers in a risky arts climate. To be daring with the art that your institution does and constantly offer new and sexy programming for your arts consumers. More importantly Kaiser seeks to spend equal amount of time and energy on the effective and aggressive marketing of these arts projects. He recognized that often times organizations would immediately cut the funding to both the development of new art and marketing as soon as the organization faces crisis. His point is: the only way to overcome the crisis is to become better and take more risks. These risks of course are not silly whims. Kaiser constantly continues to take advantage of situations and promote bigger and better each time. He seeks to create ways to build real visibility that do not relate to the base product- but gets people excited about the organization. In this respect he has been able to turn around many dying arts organizations and make them exciting again. When people are engaged and interested the desire to donate money and time will come.
Check out Michael Kaisers Speech on Marketing and the Arts:
http://mitworld.mit.edu/video/473/
For this reason...
I cannot stop thinking about Michael Kaiser! After watching a video clip of Michael Kaiser speak about effective institutional marketing (creating buzz about your institution), the somewhat sad plight of the future of arts became a tad sunnier. Kaiser's main point was to be risk takers in a risky arts climate. To be daring with the art that your institution does and constantly offer new and sexy programming for your arts consumers. More importantly Kaiser seeks to spend equal amount of time and energy on the effective and aggressive marketing of these arts projects. He recognized that often times organizations would immediately cut the funding to both the development of new art and marketing as soon as the organization faces crisis. His point is: the only way to overcome the crisis is to become better and take more risks. These risks of course are not silly whims. Kaiser constantly continues to take advantage of situations and promote bigger and better each time. He seeks to create ways to build real visibility that do not relate to the base product- but gets people excited about the organization. In this respect he has been able to turn around many dying arts organizations and make them exciting again. When people are engaged and interested the desire to donate money and time will come.
Check out Michael Kaisers Speech on Marketing and the Arts:
http://mitworld.mit.edu/video/473/
Monday, September 20, 2010
Spoken Word
This past weekend I had the opportunity (for the second time) to see one of Canada's foremost spoken word poets at the London Music Club. This is the second time he has been invited to London as the feature poet for the local Poetry Slam group. CR Avery isn't only a poet; he combines multiple artistic disciplines to create a sound and feeling that is very unique. In addition to his unique sound he speaks to many Canadian issues. In a country like Canada where culture often seems lost or disconnected it's important to foster and hold onto our Canadian-minded artists. CR is an example of the kind of artist we, as an arts community and as Canadians, need to promote and appreciate as part of our cultural landscape. The whole art of spoken word is still somewhat underground in the arts community but it has the potential to engage and captivate the Canadian psyche. This past year at the 2010 Olympics the opening ceremonies featured another young Canadian spoken word artist, Shayne Koyczan, who shared his vision of Canada. People are starting to listen to the voice of young Canadian artists but it's not enough. Our support for these artists’s and for Canada need to be more fully supported and realized.
CR Avery will be returning to London this November 10th at the LMC. Please go and check out his work and share with your friends this amazing Canadian artist.
Click on the links below to get a sense of CR'swork:
http://www.youtube.com/watch?v=5oGT1Op_NF8
http://www.cbc.ca/radio2/cod/concerts/20100206avery
http://www.cravery.com/
CR Avery will be returning to London this November 10th at the LMC. Please go and check out his work and share with your friends this amazing Canadian artist.
Click on the links below to get a sense of CR'swork:
http://www.youtube.com/watch?v=5oGT1Op_NF8
http://www.cbc.ca/radio2/cod/concerts/20100206avery
http://www.cravery.com/
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